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Constable’s ‘Hay Wain’: A Quiet but Radical British Icon | National Gallery
'The Hay Wain' by John Constable will be familiar to many as capturing quintessential English life in the Suffolk countryside. But does this familiarity stop us from seeing how radical this landscape picture was at the time it was made? Curator Mary McMahon shows us the artist's innovations.
John Constable's 'The Hay Wain' is currently on loan to Bristol Museum & Art Gallery.
To celebrate our Bicentenary, 12 paintings from the collection are being lent to 12 venues across the UK. See various locations and visit: www.nationalgallery.org.uk/exhibitions/across-the-uk/national-treasures
🎨 Find out more about 'The Hay Wain' on our website: www.nationalgallery.org.uk/paintings/john-constable-the-h...
Просмотров: 6 855

Видео

How has Canaletto inspired contemporary jewellery and garden designers? | National Gallery
Просмотров 6 тыс.14 дней назад
Boodles jewellery designer Rebecca Hawkins and landscape designer Catherine MacDonald meet Gallery educator Belle Smith to discuss Canaletto’s 'London: Interior of the Rotunda at Ranelagh'. Find out how an 18th-century painting has inspired 21st-century creatives, with the repetitive arches appearing in stunning necklaces at Boodles and at the heart of Catherine’s The Boodles NG200 Garden at RH...
Unexpected Views: Alexis Teplin on Cezanne's 'Hillside in Provence' | National Gallery
Просмотров 3,1 тыс.14 дней назад
Artist Alexis Teplin tells us what led her to pick Paul Cezanne's 'Hillside in Provence'. Despite not being an obvious choice, Teplin talks about how she found her interest in Abstraction reflected in Cezanne's approach to painting buildings and objects in the landscape. Artist Alexis Teplin’s work begins within the history of two-dimensional painting and expands to include performance, video a...
Decoding Richard II's stunning devotional artwork: The Wilton Diptych | National Gallery
Просмотров 32 тыс.14 дней назад
Shining in gold and vibrant blues, we decode this private devotional artwork, made for Richard II. Curator Emma Capron and Conservator Britta New, discuss the puzzling work behind 'The Wilton Diptych', which makes it one of the most intriguing artworks in the world. Named the 'Wilton' diptych due to its acquisition by the National Gallery from Wilton House, Wiltshire in 1929, the panel was orig...
How to decode Bronzino’s ‘An Allegory with Venus and Cupid’ | National Gallery
Просмотров 8 тыс.21 день назад
How does an artist paint love? Jacqui Ansell explores the visual language of love in art and how we can use these symbols to decode works like Bronzino’s ‘An Allegory with Venus and Cupid’ from the National Gallery. Gods, goddesses and mere mortals exchange lingering looks and amorous gestures. Venus has her doves and roses, Cupid has his arrow, and some couples - parted by death - swear everla...
Why did Queen Charlotte hate this portrait of herself? | Thomas Lawrence's 'Queen Charlotte'
Просмотров 103 тыс.28 дней назад
Why did Queen Charlotte not like this portrait of herself? Dear gentle reader, we note that Queen Charlotte despised this portrait of herself. As Bridgerton returns to our screens with season three, pray watch curator Jon King as he recounts the story behind this portrait by Sir Thomas Lawrence. Perhaps, given Her Majesty’s sometimes ‘challenging’ disposition, one should not be surprised that t...
Spectacular Light Show Celebrates 200 Years of the National Gallery ✨
Просмотров 10 тыс.Месяц назад
We celebrated 200 years of bringing people and paintings together with this light show projected onto the front of our building. Highlights from the Gallery's history and paintings are brought to life. Watch in awe as our building is transformed, bringing the inside out. And learn how our history has shaped the National Gallery today. Thank you to everyone who joined us, and has supported us fr...
What's the story behind Turner's 'The Fighting Temeraire'? | National Gallery
Просмотров 10 тыс.Месяц назад
'The Fighting Temeraire' by Joseph Mallord William Turner is one of the nation’s most beloved paintings, capturing the moment that HMS Temeraire was towed up the Thames to Rotherhithe to be broken up, in the 19th century. But what did this symbolise to the British people at the time? And how does Turner use his unrivalled skill as a landscape artist to capture the moment? Christine Riding, Dire...
Unexpected Views: Sharon Walters on 'Saint Margaret of Antioch' | National Gallery
Просмотров 4,5 тыс.Месяц назад
Artist Sharon Walters talks about her work with portraiture and images of women in relation to Francisco de Zurbarán's 'Saint Margaret of Antioch'. Sharon Walters is a London-based artist and project curator whose series entitled ‘Seeing Ourselves', is an exploration of identity, beauty standards, and race through intricate paper cut-outs and hand-assembled collages. With over 20 years’ experie...
Artists on Artists: How does Caravaggio capture violence and faith? Amy Key and Naomi Kimpenu
Просмотров 14 тыс.Месяц назад
What do women today think of ‘The Martyrdom of Saint Ursula’? And why did Caravaggio paint himself in such a violent scene? Author and poet Amy Key and singer songwriter Naomi Kimpenu join curator Dr Francesca Whitlum-Cooper to discuss all this and more, in our latest Artists on Artists film. The Artists on Artists series from the National Gallery is available to watch free on RUclips. We host ...
Who pioneered perspective in Renaissance art? Piero's 'Baptism of Christ' | National Gallery
Просмотров 14 тыс.Месяц назад
Find out why National Gallery Director, Gabriele Finaldi, has chosen Piero della Francesca's 'Baptism of Christ' for his Picture of the Month, as we mark the beginning of the Gallery's Bicentenary year in May 2024. 🎨 Find out more about 'The Baptism of Christ': www.nationalgallery.org.uk/paintings/piero-della-francesca-the-baptism-of-christ 🖌️ Find out more about Piero della Francesca: www.nati...
The Story of Ultramarine from the Silk Road to Renoir: The Chemistry of Colour | National Gallery
Просмотров 113 тыс.Месяц назад
How did ultramarine go from being more expensive than gold to one of the cheapest pigements for artists? Follow the journey of this vibrant blue colour, ultramarine, one of the most celebrated and sought-after pigments in art. Joanna Russell from our Scientific Department looks at the use of this blue in 'The Wilton Diptych' and Renoir's 'Umbrellas'. The Chemistry of Colour series explores some...
Uncovering restoration secrets of Rubens's 'The Judgement of Paris' | National Gallery
Просмотров 72 тыс.2 месяца назад
Uncovering restoration secrets of Rubens's 'The Judgement of Paris' | National Gallery
Why did Michelangelo leave this painting unfinished? | The Entombment | National Gallery
Просмотров 26 тыс.2 месяца назад
Why did Michelangelo leave this painting unfinished? | The Entombment | National Gallery
Introducing a new painting: Poussin's 'Eucharist' | National Gallery
Просмотров 8 тыс.2 месяца назад
Introducing a new painting: Poussin's 'Eucharist' | National Gallery
Unexpected Views: Jananne Al-Ani on 'A View of Delft after the Explosion of 1654' | National Gallery
Просмотров 4,6 тыс.2 месяца назад
Unexpected Views: Jananne Al-Ani on 'A View of Delft after the Explosion of 1654' | National Gallery
An engineer's take on Turner's 'Rain, Steam and Speed' & 'Dutch Boats in a Gale' | National Gallery
Просмотров 31 тыс.3 месяца назад
An engineer's take on Turner's 'Rain, Steam and Speed' & 'Dutch Boats in a Gale' | National Gallery
How do architecture and art interact in a museum? | Annabelle Selldorf: The Linbury Lecture 2023
Просмотров 5 тыс.3 месяца назад
How do architecture and art interact in a museum? | Annabelle Selldorf: The Linbury Lecture 2023
How has the Narcissus myth inspired queer artists through history? | National Gallery
Просмотров 12 тыс.4 месяца назад
How has the Narcissus myth inspired queer artists through history? | National Gallery
Why is this painting black and white? Boilly’s ‘A Girl at a Window’ | National Gallery
Просмотров 140 тыс.4 месяца назад
Why is this painting black and white? Boilly’s ‘A Girl at a Window’ | National Gallery
A Glimpse into the World of Pastel: Discover Liotard and The Lavergne Family Breakfast
Просмотров 128 тыс.5 месяцев назад
A Glimpse into the World of Pastel: Discover Liotard and The Lavergne Family Breakfast
3-minute meditation: A slow look at Hobbema's Dutch landscape | National Gallery
Просмотров 8 тыс.5 месяцев назад
3-minute meditation: A slow look at Hobbema's Dutch landscape | National Gallery
Creating Character: Volker Hermes and Peter Brathwaite’s Artists on Artists | National Gallery
Просмотров 3 тыс.6 месяцев назад
Creating Character: Volker Hermes and Peter Brathwaite’s Artists on Artists | National Gallery
Are these paintings Medici propaganda? | Gold and silver restoration | National Gallery
Просмотров 21 тыс.6 месяцев назад
Are these paintings Medici propaganda? | Gold and silver restoration | National Gallery
Why is this painting semi-circular? | Fra Filippo Lippi's 'Annunciation' | National Gallery
Просмотров 15 тыс.6 месяцев назад
Why is this painting semi-circular? | Fra Filippo Lippi's 'Annunciation' | National Gallery
Creating Character: Hayley Atwell and Jessie Burton’s Artists on Artists | National Gallery
Просмотров 12 тыс.6 месяцев назад
Creating Character: Hayley Atwell and Jessie Burton’s Artists on Artists | National Gallery
Céline Condorelli: Pentimenti (The Corrections) | National Gallery
Просмотров 3,8 тыс.6 месяцев назад
Céline Condorelli: Pentimenti (The Corrections) | National Gallery
Imagine discovering your family history in two famous galleries | Linked Lives: National Gallery
Просмотров 9 тыс.7 месяцев назад
Imagine discovering your family history in two famous galleries | Linked Lives: National Gallery
How are contemporary artists inspired by art of the past? | National Gallery
Просмотров 3,3 тыс.7 месяцев назад
How are contemporary artists inspired by art of the past? | National Gallery
Hip-hop photographer Eddie Otchere on Hendrick ter Brugghen | National Gallery
Просмотров 4 тыс.7 месяцев назад
Hip-hop photographer Eddie Otchere on Hendrick ter Brugghen | National Gallery

Комментарии

  • @214santanu
    @214santanu День назад

    Thousands of miles away from The National Gallery I am watching this delightfully incredible lecture!!! Thanks a ton for this

  • @newtexan1
    @newtexan1 День назад

    I LOVE this painting. It is very pro Catholic and 0:55 a true treasure. Britain is an evil country.

  • @MarieArt-pv8cm
    @MarieArt-pv8cm 3 дня назад

    WOW I LOVE THIS VIDEO!! Thank you now I love this painting hehehee...

  • @CONNELL19511216
    @CONNELL19511216 3 дня назад

    I love the way his art employs dynamic elements. It's as if he takes a snapshot of the scene

  • @santiagofernandez880
    @santiagofernandez880 3 дня назад

    Awesome! 👍👍👍

  • @johnjordan5784
    @johnjordan5784 3 дня назад

    The vehicle in the water is a log tug. An extendable device to transport logs. Hence the pole sticking out from the back. There is a loaded haywain in the distance.

  • @ruadhscottygirl2480
    @ruadhscottygirl2480 4 дня назад

    Very well explained.

  • @emanuelecanepa6312
    @emanuelecanepa6312 4 дня назад

    Mi imbatto solo ora in questo magnifico video. Ho visitato più volte "la National" che sempre mi ha impressionato. Amo particolarmente il S. Gerolamo di Antonello e l Allegoria del trionfo di Venere, del Bronzino. Ma quanti altri dipinti meravigliosi! Dei Tiepolo mi colpisce... il vento che circola tra i personaggi e ravviva le scene. Ricrea il senso del movimento in un oggetto fisso, movimento che attrae sempre gli umani. Mi ricorda, in musica, il loro contemporaneo e conterraneo Antonio Vivaldi. Thank you Ms. Treves! (I like a lot your English).

  • @elifineart
    @elifineart 4 дня назад

    Thank you! such a wonderful painting and very interesting presentation.

  • @kidmohair8151
    @kidmohair8151 5 дней назад

    I am very fond of Constable's effortless ability to depict what he saw around him. sidebar: constableclouds has become a somewhat popular hashtag on visual social media.

  • @leavingitblank9363
    @leavingitblank9363 5 дней назад

    I'm amazed how they brought that painting to 3D! Fantastic!

  • @purkaitsurajit53
    @purkaitsurajit53 5 дней назад

    Thank you for explaining every single detail of this outstanding landscape masterpiece by Constable so meticulously!! This landscape painting indeed sets a very high bar for any landscape artist to emulate and follow!!😊😊❤❤

  • @rotterred991
    @rotterred991 5 дней назад

    Over the years, I have watched several videos about Constable's The Hay Wain; one, an in-depth study presented by Colin Wiggins; another, a bit briefer, presented by Emily Burns (yes, I looked them up to be sure and give credit where credit is due!); and also the one on The Cornfield presented by Mary McMahon (yes!), as well as one on the cleaning of The Hay Wain. It seems I never tire of learning more about this great landscape painting and it has been a pleasure learning some additional facts about the work from Ms. McMahon who, obviously, likes her Constable.

    • @nationalgallery
      @nationalgallery 5 дней назад

      Thank you for watching our videos over the years! ❤️

  • @mrsgingernoisette
    @mrsgingernoisette 5 дней назад

    Landscapes happen to be my favorite, and he is Jane Austen's contemporary <3 I can imagine her characters passing through in there

  • @watchmedo635
    @watchmedo635 5 дней назад

    Fantastic!

  • @Emilia-os2vw
    @Emilia-os2vw 5 дней назад

    Lecture level second grade

  • @that_thing_I_do
    @that_thing_I_do 5 дней назад

    Well done.Great to see younger patrons showing their passion for art.

  • @sacredkinetics.lns.8352
    @sacredkinetics.lns.8352 5 дней назад

    ` Very interesting. Thanks allot.🌹🌺

  • @scm731
    @scm731 5 дней назад

    Thank you for sharing this with us. Interesting and informative 😊

  • @murkyseb
    @murkyseb 5 дней назад

    That’s such a beautiful painting, and the sketch for it looks very impressionistic

  • @anonarthist
    @anonarthist 5 дней назад

    Always fresh things to say about this wonderful painting. Excellent overview with crystal-clear presentation. Thank you National Gallery and Mary McMahon.

  • @MrHeroFamily
    @MrHeroFamily 5 дней назад

    Beautiful tribute to him on his birthday 🎂(1776)🎂

  • @oopurpledove
    @oopurpledove 5 дней назад

    I truly adored this presentation! Thank you so much for sharing your knowledge with us ❤ Blessings 🙏

  • @grokeffer6226
    @grokeffer6226 5 дней назад

    ❤🖼🎨🖌

  • @maryloumawson6006
    @maryloumawson6006 5 дней назад

    Well, I like the portrait. If King George III's only objection was the missing hat, why couldn't Lawrence have painted one in? However, much I like the figure of Charlotte, and appreciate how Lawrence captures her likeness and wistful expression, I think the drapery and shadow over her head casts a pall over the painting that gives her a sad, regretful aspect. Almost as if her future is doubtful, or at risk. The muted color palette does not promote a regal or indeed rosy prospect that a queen would wish to project. My goodness! Couldn't he have conjured some sunshine? In that light, the poor queen looks positively ghostly!

  • @thechosenone5644
    @thechosenone5644 6 дней назад

    One of the fun details that wasn’t really mentioned in this really great video is that there are a lot of cases where the pigment is used on Mary’s clothes to distinguish her.

  • @monicarust2383
    @monicarust2383 6 дней назад

    Fascinating, thank you so much!❤

  • @frankdecardenas53
    @frankdecardenas53 7 дней назад

    It makes me think of lack of bathing.

  • @womanofwazo
    @womanofwazo 7 дней назад

    I have a very old replica of this painting, is it worth anything?

  • @kathleensue1
    @kathleensue1 8 дней назад

    So people can wonder through the ages.

  • @lunarsabbatical7906
    @lunarsabbatical7906 8 дней назад

    His art is better than da Vinci Rembrandt or any of the other big name artist. He seems like a once jn a 100 year artist

  • @wabisabi6875
    @wabisabi6875 9 дней назад

    So, the question is: is the fly in the head-dress or is the fly on the painting?

  • @kristinathompson5804
    @kristinathompson5804 9 дней назад

    I think the same artist painted “1480 Anonymous German artist active in Swabia, portrait of a woman” from the art gallery in Madrid. The same head dress too. Her eyelashes painted in the exact way. I was thinking maybe be a fly was artist’s signature. The other portrait was cut down in the past. May be I had a fly too. And if you zoom in on the fly, you will see that shadows look like it is sitting on the glass or mirror. Both were rare in 15 century though.

  • @akaginny7516
    @akaginny7516 9 дней назад

    I think she really favors her oldest son in this portrait. I think it is lovely

  • @timeenoughforart
    @timeenoughforart 9 дней назад

    57 seconds in and I'm already disagreeing. It is the subject that draws the crowd. We like paintings of mountains. Normal people judge art by subject, not subtilties in technique. Now back to the flic.

    • @timeenoughforart
      @timeenoughforart 9 дней назад

      I love the melody of greens. Did I miss the medium? Oil on canvas, the fine lines had me wondering. The vertical reminds me of oriental art. I have always enjoyed the compression, it tells a much larger story. I wish I lived near real art museums.

  • @lorihenderson673
    @lorihenderson673 9 дней назад

    Thank you 🎉

  • @mrsgarcia4391
    @mrsgarcia4391 9 дней назад

    Maybe it’s my limited experience with flies, but that fly seems unnaturally huge. Are flies really that big in Europe, or is it a clue from the artist?

  • @pauldettwiler6009
    @pauldettwiler6009 9 дней назад

    good lecture, however there could have been some comments on the technique; egg tempera that requires some swift painting due to rapid drying. One particular feature of Botticelli is to include contours in the picture

  • @stephengriffin4612
    @stephengriffin4612 9 дней назад

    She had a fly on her head instead of a cantaloupe. They were out of season. Obvious explanation. Any other questions?

  • @papillon6122
    @papillon6122 9 дней назад

    No mention of the use of optical aids, like concave mirror projections, that were readily available during the Renaissance. Wasn’t Botticelli aware of these techniques and if he was, why wouldn’t he use them?

  • @PleasantPrickles
    @PleasantPrickles 9 дней назад

    Could it just be a skillful artist showing off the great detail he or she is able to achieve? It’s a lovely piece, indeed.🪰

  • @alisonarmstrong8421
    @alisonarmstrong8421 10 дней назад

    She looks tired -- try having 15 children! and then the Madness of King George, the misbehavior of her oldest son who would become King geo. 4th...

  • @reaganwiles_art
    @reaganwiles_art 10 дней назад

    I would not have been able to like this as a young man myself, but now I think there are few better portraits.

  • @ginacrusco234
    @ginacrusco234 10 дней назад

    This is a very riveting high-level discussion. I'm going to look at attribution material, because I have a suspicion that the portrait of Caravaggio is interpolated onto the canvas to make us believe the work is his.

  • @ginacrusco234
    @ginacrusco234 10 дней назад

    What a clear, concise, insightful talk! I enjoyed it immensely.

  • @artroshi
    @artroshi 10 дней назад

    Cezanne said if you would be a painter, you must avoid the literary spirit. Just from the start, you are getting a bunch of story lines being expressed as if he never said this. Just look and recieve without thought. You will begin to experience the music...

  • @janawaw8293
    @janawaw8293 10 дней назад

    Thank you , it was very interesting.

  • @janawaw8293
    @janawaw8293 10 дней назад

    Amazing curator for art 🙂, thank you. I love art history. Greetings from CZ.🌞

  • @Celestialkarma
    @Celestialkarma 10 дней назад

    Excellent Well explained Enjoyed God bless

  • @juliaru6918
    @juliaru6918 10 дней назад

    Artists who plant very realistic flies in their paintings continue the challenge launched not even by Giotto, but by the ancient Greek painters Zeuxis and Parrhasius. Their works have not reached us, but the legend of the competition that made them the kings of the trompe l’oeil genre (in other words, pictorial trompe l’oeil) is alive. The most famous in painting were two pairs of rivals: in the 5th century Zeuxis and Parrasius, in the 4th century Apelles and Protogenes. Zeuxis and Parrhasius argued about who would paint the picture better. People gathered, two rivals came out, each holding a painting under a blanket. Zeuxis pulled back the cover - in the picture there was a bunch of grapes, so similar that birds flocked to peck at it. The people applauded. “Now you pull back the covers!” - Zeuxis said to Parrhasius. “I can’t,” replied Parrhasius, “that’s what I drew.” Zeuxis bowed his head. “You’ve won! - he said. “I deceived the eyes of the birds, and you deceived the eye of the painter.” It was not for nothing that Zeuxis chose a bunch of grapes as the subject for his painting: he knew how to depict this like no one else. One day he painted a boy with a grape in his hands, and again the birds flew in and pecked at the berries, and the people applauded. Only Zeuxis himself was dissatisfied. He said: “So I wrote the boy poorly: if the boy were as good, the birds would be afraid to fly up to the berries.” (Mikhail Gasparov. Entertaining Greece)