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The National Gallery
Великобритания
Добавлен 4 фев 2008
Journey through the story of European art, masterpiece by masterpiece. Watch the National Gallery in London's official RUclips channel to discover the stories behind the world’s greatest paintings and artists from the 13th to early 20th centuries. Enjoy behind-the-scenes videos from conservation to art handling, interviews with leading art experts, live recordings of talks and events, and insights into our latest exhibitions.
A stately home tour of Longford Castle's private collection of art | National Gallery
Enjoy an exclusive tour through this beautiful Tudor castle, which is filled with paintings by some of Europe's most celebrated artists. See rarely seen works by Claude and Hans Holbein the Younger, Gainsborough and Avercamp, and discover how the Pleydell-Bouverie family came to steward the historic collection of Longford Castle in Wiltshire.
This tour premiered as part of our Members' digital programme. Discover more about National Gallery Membership: www.nationalgallery.org.uk/membership.
🎨 Read about Longford Castle's relationship with the National Gallery: www.nationalgallery.org.uk/paintings/learn-about-art/collecting-and-displaying-art-longford-castle-and-the-national-gallery
🖌️ Find ...
This tour premiered as part of our Members' digital programme. Discover more about National Gallery Membership: www.nationalgallery.org.uk/membership.
🎨 Read about Longford Castle's relationship with the National Gallery: www.nationalgallery.org.uk/paintings/learn-about-art/collecting-and-displaying-art-longford-castle-and-the-national-gallery
🖌️ Find ...
Просмотров: 11 390
Видео
Botticelli’s 'Venus and Mars': A depiction of Renaissance love | National Gallery
Просмотров 10 тыс.16 часов назад
Discover the secrets behind Botticelli's iconic painting, 'Venus and Mars'. Join Curator Laura Llewellyn as she offers unique insights into the painting's composition, symbolism, and the historical context surrounding its creation. The painting, likely commissioned to celebrate a marriage, shows Venus, goddess of love, and Mars, god of war, in a playful and humorous manner. Botticelli's 'Venus ...
Constable’s ‘Hay Wain’: A Quiet but Radical British Icon | National Gallery
Просмотров 8 тыс.14 дней назад
'The Hay Wain' by John Constable will be familiar to many as capturing quintessential English life in the Suffolk countryside. But does this familiarity stop us from seeing how radical this landscape picture was at the time it was made? Curator Mary McMahon shows us the artist's innovations. John Constable's 'The Hay Wain' is currently on loan to Bristol Museum & Art Gallery. To celebrate our B...
How has Canaletto inspired contemporary jewellery and garden designers? | National Gallery
Просмотров 6 тыс.21 день назад
Boodles jewellery designer Rebecca Hawkins and landscape designer Catherine MacDonald meet Gallery educator Belle Smith to discuss Canaletto’s 'London: Interior of the Rotunda at Ranelagh'. Find out how an 18th-century painting has inspired 21st-century creatives, with the repetitive arches appearing in stunning necklaces at Boodles and at the heart of Catherine’s The Boodles NG200 Garden at RH...
Unexpected Views: Alexis Teplin on Cezanne's 'Hillside in Provence' | National Gallery
Просмотров 3,3 тыс.21 день назад
Artist Alexis Teplin tells us what led her to pick Paul Cezanne's 'Hillside in Provence'. Despite not being an obvious choice, Teplin talks about how she found her interest in Abstraction reflected in Cezanne's approach to painting buildings and objects in the landscape. Artist Alexis Teplin’s work begins within the history of two-dimensional painting and expands to include performance, video a...
Decoding Richard II's stunning devotional artwork: The Wilton Diptych | National Gallery
Просмотров 33 тыс.21 день назад
Shining in gold and vibrant blues, we decode this private devotional artwork, made for Richard II. Curator Emma Capron and Conservator Britta New, discuss the puzzling work behind 'The Wilton Diptych', which makes it one of the most intriguing artworks in the world. Named the 'Wilton' diptych due to its acquisition by the National Gallery from Wilton House, Wiltshire in 1929, the panel was orig...
How to decode Bronzino’s ‘An Allegory with Venus and Cupid’ | National Gallery
Просмотров 8 тыс.Месяц назад
How does an artist paint love? Jacqui Ansell explores the visual language of love in art and how we can use these symbols to decode works like Bronzino’s ‘An Allegory with Venus and Cupid’ from the National Gallery. Gods, goddesses and mere mortals exchange lingering looks and amorous gestures. Venus has her doves and roses, Cupid has his arrow, and some couples - parted by death - swear everla...
Why did Queen Charlotte hate this portrait of herself? | Thomas Lawrence's 'Queen Charlotte'
Просмотров 120 тыс.Месяц назад
Why did Queen Charlotte not like this portrait of herself? Dear gentle reader, we note that Queen Charlotte despised this portrait of herself. As Bridgerton returns to our screens with season three, pray watch curator Jon King as he recounts the story behind this portrait by Sir Thomas Lawrence. Perhaps, given Her Majesty’s sometimes ‘challenging’ disposition, one should not be surprised that t...
Spectacular Light Show Celebrates 200 Years of the National Gallery ✨
Просмотров 10 тыс.Месяц назад
We celebrated 200 years of bringing people and paintings together with this light show projected onto the front of our building. Highlights from the Gallery's history and paintings are brought to life. Watch in awe as our building is transformed, bringing the inside out. And learn how our history has shaped the National Gallery today. Thank you to everyone who joined us, and has supported us fr...
What's the story behind Turner's 'The Fighting Temeraire'? | National Gallery
Просмотров 10 тыс.Месяц назад
'The Fighting Temeraire' by Joseph Mallord William Turner is one of the nation’s most beloved paintings, capturing the moment that HMS Temeraire was towed up the Thames to Rotherhithe to be broken up, in the 19th century. But what did this symbolise to the British people at the time? And how does Turner use his unrivalled skill as a landscape artist to capture the moment? Christine Riding, Dire...
Unexpected Views: Sharon Walters on 'Saint Margaret of Antioch' | National Gallery
Просмотров 4,6 тыс.Месяц назад
Artist Sharon Walters talks about her work with portraiture and images of women in relation to Francisco de Zurbarán's 'Saint Margaret of Antioch'. Sharon Walters is a London-based artist and project curator whose series entitled ‘Seeing Ourselves', is an exploration of identity, beauty standards, and race through intricate paper cut-outs and hand-assembled collages. With over 20 years’ experie...
Artists on Artists: How does Caravaggio capture violence and faith? Amy Key and Naomi Kimpenu
Просмотров 15 тыс.Месяц назад
What do women today think of ‘The Martyrdom of Saint Ursula’? And why did Caravaggio paint himself in such a violent scene? Author and poet Amy Key and singer songwriter Naomi Kimpenu join curator Dr Francesca Whitlum-Cooper to discuss all this and more, in our latest Artists on Artists film. The Artists on Artists series from the National Gallery is available to watch free on RUclips. We host ...
Who pioneered perspective in Renaissance art? Piero's 'Baptism of Christ' | National Gallery
Просмотров 14 тыс.Месяц назад
Who pioneered perspective in Renaissance art? Piero's 'Baptism of Christ' | National Gallery
The Story of Ultramarine from the Silk Road to Renoir: The Chemistry of Colour | National Gallery
Просмотров 115 тыс.2 месяца назад
The Story of Ultramarine from the Silk Road to Renoir: The Chemistry of Colour | National Gallery
Uncovering restoration secrets of Rubens's 'The Judgement of Paris' | National Gallery
Просмотров 74 тыс.2 месяца назад
Uncovering restoration secrets of Rubens's 'The Judgement of Paris' | National Gallery
Why did Michelangelo leave this painting unfinished? | The Entombment | National Gallery
Просмотров 26 тыс.2 месяца назад
Why did Michelangelo leave this painting unfinished? | The Entombment | National Gallery
Introducing a new painting: Poussin's 'Eucharist' | National Gallery
Просмотров 8 тыс.3 месяца назад
Introducing a new painting: Poussin's 'Eucharist' | National Gallery
Unexpected Views: Jananne Al-Ani on 'A View of Delft after the Explosion of 1654' | National Gallery
Просмотров 4,7 тыс.3 месяца назад
Unexpected Views: Jananne Al-Ani on 'A View of Delft after the Explosion of 1654' | National Gallery
An engineer's take on Turner's 'Rain, Steam and Speed' & 'Dutch Boats in a Gale' | National Gallery
Просмотров 31 тыс.3 месяца назад
An engineer's take on Turner's 'Rain, Steam and Speed' & 'Dutch Boats in a Gale' | National Gallery
How do architecture and art interact in a museum? | Annabelle Selldorf: The Linbury Lecture 2023
Просмотров 5 тыс.4 месяца назад
How do architecture and art interact in a museum? | Annabelle Selldorf: The Linbury Lecture 2023
How has the Narcissus myth inspired queer artists through history? | National Gallery
Просмотров 12 тыс.4 месяца назад
How has the Narcissus myth inspired queer artists through history? | National Gallery
Why is this painting black and white? Boilly’s ‘A Girl at a Window’ | National Gallery
Просмотров 140 тыс.4 месяца назад
Why is this painting black and white? Boilly’s ‘A Girl at a Window’ | National Gallery
A Glimpse into the World of Pastel: Discover Liotard and The Lavergne Family Breakfast
Просмотров 129 тыс.5 месяцев назад
A Glimpse into the World of Pastel: Discover Liotard and The Lavergne Family Breakfast
3-minute meditation: A slow look at Hobbema's Dutch landscape | National Gallery
Просмотров 8 тыс.5 месяцев назад
3-minute meditation: A slow look at Hobbema's Dutch landscape | National Gallery
Creating Character: Volker Hermes and Peter Brathwaite’s Artists on Artists | National Gallery
Просмотров 3 тыс.6 месяцев назад
Creating Character: Volker Hermes and Peter Brathwaite’s Artists on Artists | National Gallery
Are these paintings Medici propaganda? | Gold and silver restoration | National Gallery
Просмотров 21 тыс.6 месяцев назад
Are these paintings Medici propaganda? | Gold and silver restoration | National Gallery
Why is this painting semi-circular? | Fra Filippo Lippi's 'Annunciation' | National Gallery
Просмотров 15 тыс.6 месяцев назад
Why is this painting semi-circular? | Fra Filippo Lippi's 'Annunciation' | National Gallery
Creating Character: Hayley Atwell and Jessie Burton’s Artists on Artists | National Gallery
Просмотров 12 тыс.6 месяцев назад
Creating Character: Hayley Atwell and Jessie Burton’s Artists on Artists | National Gallery
Céline Condorelli: Pentimenti (The Corrections) | National Gallery
Просмотров 3,9 тыс.6 месяцев назад
Céline Condorelli: Pentimenti (The Corrections) | National Gallery
Imagine discovering your family history in two famous galleries | Linked Lives: National Gallery
Просмотров 9 тыс.7 месяцев назад
Imagine discovering your family history in two famous galleries | Linked Lives: National Gallery
"Come, eat my food, drink the wine she has prepared!"
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For viewers who only want to hear one perspective, and limiting that perspective as only coming from an NG staff curator, perhaps those viewers ought to search a bit more on the NG's channel? There is such a video on the channel. But for this video, it seems perhaps a trifle silly to complain about there being multiple contributors when the thumbnail of the video clearly states "many voices".
THANK YOU EVER SO MUCH FOR YOUR INFORNMATIVE AND WONDER FILLED TOUR OF THIS CASTLE AND IT'S ART!
I would like to point out, that like a Luncheon on The Grass, Manet plays with our perspective. The way the soldiers point their rifles at Maximilian, it would seem to suggest that he and his attendant are ~7.5 feet tall! Not a small painting, both in the idea it represents, the stir it caused, and the literal proportions themselves, and not discounting his obvious distortions of scale, I am truly impressed. Truly a masterpiece that I am glad the National Gallery owns, so I can see this masterpiece!
I think she just wanted to wear her bonnet. The punk made her take it off. I'd be annoyed too. (jk)
Twenty five minutes of talking and I'm none the wiser. Frankly, I'm not a fan of art historians.
You ladies are absolutely tops in every way. I enjoyed your tour so much, not only for your erudition but for the charm it was presented. I’m sure the current earl appreciates your style and skill in representing this amazing collection. Kudos to everyone involved.
Just so interesting. I knew none of this
I loved your insight, I love this painting, and your final words were so poetic and more true in this so called modern world than ever
Gorgeous Van Dyke, How much I looove him ..! 🤍🤍🤍🤍💫🙌
Fabulous❣️
I enjoyed every second of this episode. Thank you to everyone involved in this fabulous production. As a little aside …. I was delighted that the video wasn’t polluted with “musick”. Instead the music that was used was contemporary with the period and used judiciously. I really appreciate this as I can concentrate on the information and the art. 🙏🏼🙏🏼🏴
What an imposing castle. An impressive presentation and tour.
The first thing that sprung to mind was Dame Edith Evans portrayal of Lady Bracknell listening to Ernest Worthing prattling on before declaring "A Hand-bag!".
On a recent trip to the Minneapolis Institute of Art, Sorolla's massive "Before the Bullfight" painting (98" x 146") was located where previously a few medium-sized Sargent paintings had been. Having never heard of Sorolla, this enveloping painting led me to learn more about this incredible painter. I love his dedication to capturing his subjects from life and using many sketches to complete his large works, a great lecture given here, Thank you!
What fascinates me most isn't the fly but that she wears not one but two rings on a single finger. Strangely modern touch, IMHO.
The work of art .. a little less conspicuous..left for an art lover to judge!!
Thanks very much. Beautifully presented by two charming and knowledgeable presenters.
Thank you. I enjoyed your thoughts on Turner and The Fighting Temeraire.
😮😮😮😮😮😮u
love the frozen river scene, thanks for explanation
Thank You, Ms. Susan Foister for your presentation.
Thank you for this beauty ❤
Thank you for this wonderful tour.
Excelente, gracias.
室内装飾の美しさに感動しました💚 壁、柱等の細かい装飾、その色彩も素晴らしかったです。 エリザベス1世が住まわれたお城で、美しい家具や装飾品に囲まれて、絵画を鑑賞できるなんて夢のようでした。 美術館に飾られる前、日常生活の中に置かれていたそのままの状態を、今に残していることにも感動です。 ぜひ訪れたいです!
A wonderful presentation with professional indepth descriptions of the paintings and furniture. I hope to see more in the future.
This was wonderful, thank you for all the information :)
Thank you for watching!
Magnificent castle, furniture and paintings: Plus the remarkable explanation transported me to their times. Thank you. 🌺
Both the magnificent castle and it's breathtakingly beautiful artworks are truly awe-inspiring!!😍😍❤️❤️
Wow, to me I definitely see a family resemblance to Queen Elizabeth.
Clearly a brilliant scholar. She makes it look easy.
I too was surprised that memento mori wasn't discussed here. The fly & forget me nots, a reminder that death is inevitable regardless of age, wealth.
I love your hair 💕
Excellent visual analysis of this beautiful work and its many allegorical elements. 🙌 🙌
Looks soft to me the helmet stands out in the work what is that it seems to be a guard on the lance if that is what we are looking at please explain the satyr with the giant helmet.
I see this as playful and mischievous. Mars has let down his guard.
Fantastic presentation! These days social media gets a lot of flack but it also a very liberating time we live in. As always there is always quality out there. I love it.
This series is disappointing: bad audio and mediocre video. It' really too bad.
I found this painting rather creepy, especially the little girl. Sorry, but that's how I felt on seeing it.
I saw this two weeks ago on a visit to London, I absolutely love this painting and to see it, in the flesh so to speak, was a massive treat.
Lovely and interesting talk. I do wonder why the curator settles on the fly being a joke, when even I as a total amateur know its often symbolizes death, decay, transience. The other details of the painting also indicate it's a remembrance piece and not a "jokey" painting. The forget-me-nots, all the black in contrast with the pale face, the positioning of her hands and the white fabric... It's a sombre but beautiful painting.
What people do not understand, is the idea of beauty is different in every period of time!
That was such an informative lecture. The most amazing thing for me was how much contact there was between countries. How Rembrandt was aware of other painters in Europe, and referenced to them in this painting. It was a very special time, he probably played with the children of the pelgrim fathers. My favorite Rembrandt is the drawing of Elsje Christiaens, its heart breaking. Rembrandt captured that feeling of a lost life so perfectly.
Thank you @Asok Roy
I love art but I am never able to see all the elements of a painting without a wonderful, rich and insightful description from an expert art historian! I learned so much. Thank you! ❤
She looks a lot like Venus in the "The Birth of Venus" by Botticelli. Perhaps this is her sense of boredom of a man who has fallen asleep after a few moments of passion. It happens!
what a lot of interesting information you have provided, dare I say, to flesh out our understanding of this, frankly, still seductive work. thank you! (I think the tube'y'all unsubscribed me. an error I have rectified)
Fantastic analysis! Thanks!
I've been a student of art and art history for 40 years, and am just realizing recently: *Botticelli is the greatest Renaissance artist of all.* His paintings express the joy of life, universal themes of humanism, and the visual decadence of a true master painter.